So there's this idea of.exploring the video." Some of these clips are very long, some of them will start places and end in very different places. "So you can rewind and see what the hell was happening to lead up to this moment, or you can skip to the end. to rewind for ages everytime Based on that interview it seems this is how the game's been designed.
there's gotta be a command in this one too.
I remember that in Her Story you could use a bar that would easily make you navigate to where you want in the video. I'd like to watch the video from the beggining, but it's a drag to click and drag to the left. There is the handsome man played by Prometheus actor Logan Marshall Green, a frustrated nurse caring for her daughter alone (Kerry Bishe of Argo), a spiky activist ( X-Men’s Alexandra Shipp) and a chameleonic cam-girl played by Westworld’s Angela Sarafyan.Meonfire: I don't like that the video immediately jumps to the matched word. She has got her hands on an external hard drive, packed with hundreds of short clips made up of covert surveillance tapes and video calls between a handful of key players and supporting characters. You ‘play’ as an unknown woman reflected in the glow of a PC screen. To wit: the weaponisation of the computer search bar. It is a game of considerably increased scope -more lavish, layered and unwieldy than Her Story- but one that retains that game’s smarts and driving ethos. Now, in a post- Black Mirror: Bandersnatch world (in which malleable television has been thrust into mainstream consciousness), Barlow is at it again with Telling Lies. It was also a shot in the arm for the somewhat underground live-action ‘ interactive fiction’ renaissance. How it twisted and turned no matter what snippet of info you uncovered was a work of tangled yet understated brilliance. Sam Barlow’s BAFTA-snaffling Her Story was a fabulously tight and taut whodunwhat as you pieced together the tale of a mysterious young woman from a jumbled collection of police interview clips.
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